Neuroarchitecture is a multidisciplinary research field that deals with the interaction between the built environment and the human brain. It combines insights from neuroscience, psychology, architecture, and other related disciplines to understand how the design of spaces and buildings influences our cognitive, emotional, and physiological responses. Our reactions to buildings are influenced by the hippocampus region in the brain. Today, we have advanced scientific tools such as functional magnetic resonance imaging (fMRI) and electroencephalography (EEG), which allow us to measure brain activity and physiological responses of people in different environments.
In simple terms, neuroarchitecture refers to the various reactions that a user's brain produces when they are in a particular environment. These neural reactions can change users' mood and behavior in any space both in the short term and long term.
In addition to other parameters, these effects can be measured by analyzing the following parameters:
Brain stimuli (in brain regions that are active during the time the user is in the environment);
The idea that the built environment has an impact on people's well-being and behavior is not new. Even in ancient times, builders were intuitively focused on creating spaces that were meant to evoke certain moods and reactions. For example, specific architectural features were used in temples to induce feelings of awe or spiritual elevation.
The Ted Talk by Siamak Hariri addresses this aspect using the example of the Bahá'í Temple.
Neuroarchitecture aims to apply these scientific findings to optimize the design of spaces and buildings. By strategically using colors, shapes, light, materials, and spatial layouts, one can, for example, reduce stress, enhance concentration, or create a pleasant atmosphere.
The understanding of neuroarchitecture is increasingly influencing areas such as healthcare, education, and urban planning. It can help make hospitals more patient-friendly, create more effective learning environments, and plan livable cities.
Michael Murphy talks in his Ted Talk about the contribution that architecture can make to support healing processes.
Outstanding examples of the application of neuroarchitecture in the design of hospitals and facilities for cancer patients are the Maggie's Centres located throughout the UK, which were designed by Frank Gehry, Heatherwick, Snøhetta, and also Zaha Hadid, among others. The latter also designed the Learning and Library Center of the WU Vienna.
Neuroarchitecture is now indispensable, especially in the design of educational institutions. The connection between education and architecture is also addressed in the Homereport 2023. and captures the interaction under the term "Edutecture." Edutecture is trending.
The RIBA Stirling Prize for the best new building in the UK 2021 went to the new Town House of Kingston University, a building complex that cost 50 million pounds to construct. In 2022, the prize also went to an educational institution – the new library of Magdalene College.
Similarly, the library designed by Rem Koolhaas and Joshua Prince-Ramus, the (Seattle Central Library), is an impressive example of how architecture utilizes natural light, flexible room design, and innovative spatial concepts to create an inspiring environment for learning and research.
Education in today's knowledge society follows a different pedagogical approach than it did during the times of industrialization. In contrast, the appearance of educational institutions, which always reflect the pedagogical, cultural, and social values at the time of their construction, changes only slowly. However, exciting concepts and pilot projects are already showing how learning spaces can be reimagined. "Advances in neuroarchitecture, such as the influence of air, light, and sounds on human well-being, are revolutionizing the way education is implemented and educational spaces are designed," notes Oona Horx Strathern in the Home Report 2023.
The company Ecophon develops, for example, new soundproofing methods for schools and kindergartens to create a calm learning environment. Acoustic challenges are caused by sound-reflecting surfaces but can be reduced through suspended acoustic panels. This not only improves auditory quality but also interestingly enhances the taste of school meals.
The close connection between the sense of smell and spatial experience is stimulated by new insights from neuroarchitecture. Architects like Steven Hall, Peter Zumthor, and Juhani Pallasmaa promote a synesthetic concept of architecture, in which smells play as important a role as sight. Alvar Aalto significantly shaped this idea. For him, architecture consists of light, sounds, and smells. His buildings smell of the scents of the Finnish forests. In spatial planning, scents are now consciously used to create defining spatial experiences. This strategy is based on the understanding that the identity of a place is not only experienced visually but primarily olfactorily, and that exactly this interaction of visual and olfactory stimuli determines the spatial experience.
In architecture, various neuroaesthetic principles such as symmetry, proportions, color schemes, natural materials, light, and shadow are particularly relevant in creating aesthetically pleasing environments.
An outstanding and award-winning example of how to design an exclusive residential property according to the principles of neuroarchitecture is the Villa las Nubes in southern Spain, which is currently part of the AKKADIA portfolio.
She is the perfect example of how neuroesthetic principles can be applied in architecture to create aesthetically pleasing and enjoyable environments that evoke positive emotional responses and can influence people's well-being.
Last but not least, this year's Architecture Biennale 2023 in Venice also shows that the interplay of emotions and space is at the pulse of the times. In the book “The Emotional Power of Space”, the Finnish architect Pallasmaa is quoted, who succinctly encapsulates this fusion as follows:
"Whenever I enter a space, immediately the space enters me. Architecture is an exchange. I am not looking at architecture, but rather I find the architecture in me."